This is the ninth of our ten-part Sound Series where I talk to writers and artists about their work in relation to sounds they have chosen.
In this episode I talk to Cassandra Barnett and Luke Buda.
Cassandra Barnett 
Luke Buda
Cassandra chose this late-night, early-morning recording:
Luke chose the noise of a lawnmower:
In these podcasts we often talk about a lot of music. I’ve set up a Spotify playlist that captures some of the songs we talk about:
Exercise:
Maybe you’d like to record yourself from another room. Speaking or calling a poem you love.
Set up your recorder in one room and then move yourself to another room and call out your work.
Exercise Showcase
At the end of this series I’m going to make an episode showcasing the responses to these exercises. Maybe you would be willing to share your exercises for this showcase.
The deadline for submitting audio is Thursday 24 September.
There is a list of all the previous exercises here
You can leave your recordings or links to recordings in the comments below.
You can also email me them to me at: betterreadnz@gmail.com
If your sound files are big you can share a Google Drive link or use a service like WeTranfer
Better off Read is available on iTunes and Spotify and most podcasting apps.
Better off Read is also available on PodBean where you can subscribe by clicking here
Or you can listen to it here
Ep 98: Elements 12 – Place. Richard Larsen talks to Pip Adam about the first Glass Vaults' album 'Glass' – Better off Read
- Ep 98: Elements 12 – Place. Richard Larsen talks to Pip Adam about the first Glass Vaults' album 'Glass'
- Ep 97: Elements 11 – Plot. Doug Dillaman talks to Pip Adam about Formula 1: Drive To Survive S3E9
- Ep 96: Elements 10 – Plot. Laura Vincent talks to Pip Adam about her poems 'ACTIVITIES' and 'Anecdotal happiness'
- Ep 95: Elements 9 – Plot M. Darusha Wehm talks to Pip Adam (Special Live-streamed Episode for Wellington Rape Crisis Annual Appeal Week)
- Ep 94: Elements 8 – Plot. Dan Kois talks to Pip Adam about a sound mixing board.
Made with the support of Creative New Zealand Toi Aotearoa
